African Pasts: Memory and History in African LiteraturesAfrican Pasts examines African literatures in English since the end of colonialism, investigating how they represent African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa's colonisation, charting the emergence of its independence, and scrutinising Africa's contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to 'work through' their different traumatic colonial pasts. |
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Page 63
... knew they needed was the dark ' ( Beautyful : 93 ) . The Teacher speaks cyni- cally of the freedom of the people to choose - if they choose darkness rather than light , who is to say they should not ? Neil Lazarus argues that the book ...
... knew they needed was the dark ' ( Beautyful : 93 ) . The Teacher speaks cyni- cally of the freedom of the people to choose - if they choose darkness rather than light , who is to say they should not ? Neil Lazarus argues that the book ...
Page 118
... knew this ! Before , Ateba was woman . She was thou- sands of women . Was she beautiful ? One couldn't say that she was beau- tiful because ugliness didn't exist , seeing that beauty was an accident in the life of man , and since he was ...
... knew this ! Before , Ateba was woman . She was thou- sands of women . Was she beautiful ? One couldn't say that she was beau- tiful because ugliness didn't exist , seeing that beauty was an accident in the life of man , and since he was ...
Page 222
... knew of Yearsonend then , and what I know now ! It was just a town when I arrived , with dusty streets , water furrows and sluice gates , quiet verandas and curtains drawn against the heat . And now it's like a tree with branches ...
... knew of Yearsonend then , and what I know now ! It was just a town when I arrived , with dusty streets , water furrows and sluice gates , quiet verandas and curtains drawn against the heat . And now it's like a tree with branches ...
Contents
precolonial | 43 |
Critical and traumatic realist pasts | 73 |
Gender memory history | 99 |
Copyright | |
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Common terms and phrases
actions active aesthetic African literature African writers AFRIKA AFRIKA apartheid argues attempt authority becomes beginning body chapter collective colonial concerned consciousness Consequently construct context continues critical cultural described discourse effects emerges ethical example existence experience explore fact feel fiction figure forces future hand human identity ideology important imprisonment individual issue language literary literature lives Maps means memory mind mother narratives nature neo-colonial notes novel one's oppression oral particular past poems poetry poets political position postcolonial postmodern present prison problems question racial realism regarded relation remember represent representation resistance role seeks sense social society South African space story structure struggle symbolic texts things tion torture tradition trauma truth turn understand values various violence voice western whole women writing