Yearbook of Comparative Criticism, Volume 10Joseph Strelka |
From inside the book
Results 1-3 of 41
Page 157
... motivation marks a welcome shift from Shklovsky's focus on camouflage and local effect , with the resulting fragmentation of the text into devices proper and motivating excres- cences . Actually , as I argued , it is important to ...
... motivation marks a welcome shift from Shklovsky's focus on camouflage and local effect , with the resulting fragmentation of the text into devices proper and motivating excres- cences . Actually , as I argued , it is important to ...
Page 159
... motivation , within which the relation- ship between art and reality ( rather than between sound and sense , syntax and semantics , language and theme , character and plot , or begin- ning and ending ) must hold the center of the stage ...
... motivation , within which the relation- ship between art and reality ( rather than between sound and sense , syntax and semantics , language and theme , character and plot , or begin- ning and ending ) must hold the center of the stage ...
Page 187
... motivated - unmotivated " antithesis , a notable in- stance is Benjamin Hrushovsky's Segmentation and Motivation in the Text Continuum of Literary Prose : The First Episode of ' War and Peace ' ( Tel Aviv : The Porter Institute for ...
... motivated - unmotivated " antithesis , a notable in- stance is Benjamin Hrushovsky's Segmentation and Motivation in the Text Continuum of Literary Prose : The First Episode of ' War and Peace ' ( Tel Aviv : The Porter Institute for ...
Other editions - View all
Common terms and phrases
according action acts actual aesthetic appear approach argument Aristotle artistic aspects becomes called character claims close common complete concept concern concrete constitute criticism definition determinate disciplines discussion distinction effect elements especially essay example exists experience expression fact feel fiction final function given hand Heidegger hermeneutic human ideas important individual instance integration interpretation kind knowledge language least less linguistic literary scholarship literature logical Macbeth matter meaning methods modes moral motivation nature novel object operations particular philosophy play plot poet Poetics poetry position possible practical presented principle problem qualities question reader reading reality reason reference reflect relation relationship remains sciences sense significations specific statements structure textual theory things thought tion traditional tragedy tragic true truth understanding University validity whole