Yearbook of Comparative Criticism, Volume 10Joseph Strelka |
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Page 60
... modes of interpretation , certain invariants , and their in- herent order — all of which constitute the hermeneutic process in literary studies . These distinctions , not advanced for the benefit of any particu- lar school of literary ...
... modes of interpretation , certain invariants , and their in- herent order — all of which constitute the hermeneutic process in literary studies . These distinctions , not advanced for the benefit of any particu- lar school of literary ...
Page 172
... modes differ not so much in their materi- als and formal arrangement as in their locus and mode of existence : their distance from the rhetorical relationship uniting author and reader . The aesthetic mode relates the two directly ...
... modes differ not so much in their materi- als and formal arrangement as in their locus and mode of existence : their distance from the rhetorical relationship uniting author and reader . The aesthetic mode relates the two directly ...
Page 187
... Modes and Temporal Order- ing , pp . 281-305 ( note 1 above ) ; on the practice , with special reference to The Ambas- sadors , see my Expositional Modes and Order of Presentation in Fiction ( Ph.D. dis- sertation , Jerusalem , 1971 ) ...
... Modes and Temporal Order- ing , pp . 281-305 ( note 1 above ) ; on the practice , with special reference to The Ambas- sadors , see my Expositional Modes and Order of Presentation in Fiction ( Ph.D. dis- sertation , Jerusalem , 1971 ) ...
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according action acts actual aesthetic appear approach argument Aristotle artistic aspects becomes called character claims close common complete concept concern concrete constitute criticism definition determinate disciplines discussion distinction effect elements especially essay example exists experience expression fact feel fiction final function given hand Heidegger hermeneutic human ideas important individual instance integration interpretation kind knowledge language least less linguistic literary scholarship literature logical Macbeth matter meaning methods modes moral motivation nature novel object operations particular philosophy play plot poet Poetics poetry position possible practical presented principle problem qualities question reader reading reality reason reference reflect relation relationship remains sciences sense significations specific statements structure textual theory things thought tion traditional tragedy tragic true truth understanding University validity whole