Yearbook of Comparative Criticism, Volume 10Joseph Strelka |
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Page 81
... individual , will ever yield identical aes- thetic concretizations , no two aesthetic valuations can ever be quite ... individual concretizations which are neces- sarily imperfect . This does not mean , however , that individual concret ...
... individual , will ever yield identical aes- thetic concretizations , no two aesthetic valuations can ever be quite ... individual concretizations which are neces- sarily imperfect . This does not mean , however , that individual concret ...
Page 99
... individual ( speech - acts ) in its counterfactual abstraction . ( With this line of argument we are following literary - theoretical and aesthetic theories and will not be able to subject our assumption to a more rigorous examination ...
... individual ( speech - acts ) in its counterfactual abstraction . ( With this line of argument we are following literary - theoretical and aesthetic theories and will not be able to subject our assumption to a more rigorous examination ...
Page 136
... individual poem . New Criticism may have broken down the literary fact as a separate and discrete entity , but it persisted in seeing the individual work as a sepa- rate and discrete literary entity . The word was relational , but the ...
... individual poem . New Criticism may have broken down the literary fact as a separate and discrete entity , but it persisted in seeing the individual work as a sepa- rate and discrete literary entity . The word was relational , but the ...
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according action acts actual aesthetic appear approach argument Aristotle artistic aspects becomes called character claims close common complete concept concern concrete constitute criticism definition determinate disciplines discussion distinction effect elements especially essay example exists experience expression fact feel fiction final function given hand Heidegger hermeneutic human ideas important individual instance integration interpretation kind knowledge language least less linguistic literary scholarship literature logical Macbeth matter meaning methods modes moral motivation nature novel object operations particular philosophy play plot poet Poetics poetry position possible practical presented principle problem qualities question reader reading reality reason reference reflect relation relationship remains sciences sense significations specific statements structure textual theory things thought tion traditional tragedy tragic true truth understanding University validity whole