Yearbook of Comparative Criticism, Volume 10Joseph Strelka |
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Page 30
... human experience , its inexhaustible , irreducible range . Literature is philosophically true in its implication of negative capability ; philosophy proper is philosophically false in its affirmation of positive capability . Once more ...
... human experience , its inexhaustible , irreducible range . Literature is philosophically true in its implication of negative capability ; philosophy proper is philosophically false in its affirmation of positive capability . Once more ...
Page 56
... human sciences , a gap that neither Dilthey nor the adherents of philosophical hermeneutics have been able to bridge satisfactorily . There is no doubt that Dilthey himself saw the need for a methodological foundation of the human ...
... human sciences , a gap that neither Dilthey nor the adherents of philosophical hermeneutics have been able to bridge satisfactorily . There is no doubt that Dilthey himself saw the need for a methodological foundation of the human ...
Page 57
... human life . 45 46 Hence the human sciences should derive their proper awareness and theoretical stance from disciplines which , like literary studies , obtain their knowledge from the interpretation of the written records of hu- man ...
... human life . 45 46 Hence the human sciences should derive their proper awareness and theoretical stance from disciplines which , like literary studies , obtain their knowledge from the interpretation of the written records of hu- man ...
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according action acts actual aesthetic appear approach argument Aristotle artistic aspects becomes called character claims close common complete concept concern concrete constitute criticism definition determinate disciplines discussion distinction effect elements especially essay example exists experience expression fact feel fiction final function given hand Heidegger hermeneutic human ideas important individual instance integration interpretation kind knowledge language least less linguistic literary scholarship literature logical Macbeth matter meaning methods modes moral motivation nature novel object operations particular philosophy play plot poet Poetics poetry position possible practical presented principle problem qualities question reader reading reality reason reference reflect relation relationship remains sciences sense significations specific statements structure textual theory things thought tion traditional tragedy tragic true truth understanding University validity whole