Yearbook of Comparative Criticism, Volume 10Joseph Strelka |
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Page 225
... Aristotle , are good but limited . As both Campbell and Virgil K. Whitaker have demonstrated , a discussion of Macbeth according to Aristotle must include the Nicomachean Ethics , since certain concepts and terms not mentioned in the ...
... Aristotle , are good but limited . As both Campbell and Virgil K. Whitaker have demonstrated , a discussion of Macbeth according to Aristotle must include the Nicomachean Ethics , since certain concepts and terms not mentioned in the ...
Page 226
... Aristotle with underplaying the importance of Spectacle . Aristotle does indeed regard it as the least important and least artistic element of tragedy ; and it occupies sixth place on his list ( plot , char- acter , thought , diction ...
... Aristotle with underplaying the importance of Spectacle . Aristotle does indeed regard it as the least important and least artistic element of tragedy ; and it occupies sixth place on his list ( plot , char- acter , thought , diction ...
Page 227
... Aristotle , is to approach them in the spirit of Aristotle , modifying certain princi- ples of the Poetics in order to arrive at a deeper understanding of dra- matic forms unknown to the Peripatetics of the Lyceum . It is for this ...
... Aristotle , is to approach them in the spirit of Aristotle , modifying certain princi- ples of the Poetics in order to arrive at a deeper understanding of dra- matic forms unknown to the Peripatetics of the Lyceum . It is for this ...
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according action acts actual aesthetic appear approach argument Aristotle artistic aspects becomes called character claims close common complete concept concern concrete constitute criticism definition determinate disciplines discussion distinction effect elements especially essay example exists experience expression fact feel fiction final function given hand Heidegger hermeneutic human ideas important individual instance integration interpretation kind knowledge language least less linguistic literary scholarship literature logical Macbeth matter meaning methods modes moral motivation nature novel object operations particular philosophy play plot poet Poetics poetry position possible practical presented principle problem qualities question reader reading reality reason reference reflect relation relationship remains sciences sense significations specific statements structure textual theory things thought tion traditional tragedy tragic true truth understanding University validity whole