Troping Oroonoko from Behn to BandeleThis volume of essays invites the reader to assess literary texts from within the frame of their own cultural history, which includes issues of authorship and literary or stage convention as well as the social and political institutions that shaped and marketed that literature. The collection initiates just such an in-depth and focused analysis of the complex literary and social history of the royal slave Oroonoko. All seven essays address elements in the evolution of Oroonoko, from Behn's 1688 novella to Southerne's 1696 dramatic adaptation, and thence to the adaptations by Hawkesworth (1759), Gentleman (1760), Anonymous (1760), Ferriar (1788), Bellamy (1789) and Bandele (1999) who serially expropriated the play as a platform to debate responsibility in matters of slavery and colonialism. This study provides rigorous, focused research on a single, complex and controversial topic but also complicates some of our received notions about 'Oroonoko', slavery and abolition. |
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Contents
Domestic Ideology and AntiSlavery on | 35 |
The Widow Figure in Oroonoko | 59 |
Behn Southerne and the Contingencies | 83 |
Copyright | |
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18th-century Aboan adaptation African American anti-slavery Aphra Behn appear argues audience beauty become Behn's novella Behn's Oroonoko British Brown century characters Charlotte Christian colonial comic commodity Coramantien course critics cultural death describes desire discourse discussion drama early economy edition English enslaved European example fact female fiction figure gender give hand Hawkesworth hero Imoinda important Indian interest John king Lackitt later less literary literature lives London marriage moral narrative narrator novel Onahal original ownership performance perhaps play plot political position present prince published race readers rebellion reference relations represents Restoration role Royal scene seems sentimental sexual slave slave trade slavery social Southerne Southerne's Southerne's Oroonoko Southerne's play stage status story suggests Surinam Theatre Thomas tragic tropes University Press volume Widow woman women World writing York