Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 12
... universal constant is the eternal subject of " le Livre . " It is not subject to individual cre- ation , but each true poet perforce expresses its mystery and purity in his art . Mallarmé's glorification of myth as “ la matière ...
... universal constant is the eternal subject of " le Livre . " It is not subject to individual cre- ation , but each true poet perforce expresses its mystery and purity in his art . Mallarmé's glorification of myth as “ la matière ...
Page 16
... universal value . Increasingly Yeats came to see that the privacy of " the great myth - makers and mask - makers " is purchased at a very high price . Poets like Blake , he declares in his Autobiographies , " have imita- tors , but ...
... universal value . Increasingly Yeats came to see that the privacy of " the great myth - makers and mask - makers " is purchased at a very high price . Poets like Blake , he declares in his Autobiographies , " have imita- tors , but ...
Page 240
... universal validity . With the few exceptions of the dance or the rite , the only level of concretization of myth still accessible today is the literary one ; it is therefore constituted by the polarity of form and content ( Gehalt ) in ...
... universal validity . With the few exceptions of the dance or the rite , the only level of concretization of myth still accessible today is the literary one ; it is therefore constituted by the polarity of form and content ( Gehalt ) in ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing