Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 33
... takes its point of departure from another text and makes the latter live again . This reliving takes place in a way that is possible only in texts , that is , in literature . If the term Zitathaft ( quotationlike ) demonstrates anything ...
... takes its point of departure from another text and makes the latter live again . This reliving takes place in a way that is possible only in texts , that is , in literature . If the term Zitathaft ( quotationlike ) demonstrates anything ...
Page 34
... takes on different contours in literature than in the original myth , which is a sacred story . Thomas Mann was not exclusively concerned with the mythical as such : he also had other intentions with this concept , giving it a specific ...
... takes on different contours in literature than in the original myth , which is a sacred story . Thomas Mann was not exclusively concerned with the mythical as such : he also had other intentions with this concept , giving it a specific ...
Page 43
... takes up that song again , continues it , and per- forms it in his own way . The new - old manner will always encom- pass some exaggeration , as has repeatedly been pointed out.36 To be sure , though it has been often claimed , the ...
... takes up that song again , continues it , and per- forms it in his own way . The new - old manner will always encom- pass some exaggeration , as has repeatedly been pointed out.36 To be sure , though it has been often claimed , the ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing