Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 89
... suggest that it cannot be an- swered unequivocally by the kind of closer concern with the read- ing process that I have been advocating . There are clearly those who believe that the mythological motifs in Passing Time are op- erating ...
... suggest that it cannot be an- swered unequivocally by the kind of closer concern with the read- ing process that I have been advocating . There are clearly those who believe that the mythological motifs in Passing Time are op- erating ...
Page 211
... suggest that in the past decades we have both come a long way and have scarcely moved an inch , that our questions and approaches are more aware and sophisticated , and that our understanding is still fitful at best and confused or ...
... suggest that in the past decades we have both come a long way and have scarcely moved an inch , that our questions and approaches are more aware and sophisticated , and that our understanding is still fitful at best and confused or ...
Page 235
... suggest what many regard as the historical enterprise . On the problems of causal explanation in history , see White , Foundations , chapter 4. N.R. Hanson , Perception and Discovery ( San Francisco , 1969 ) , p . 280 , suggests that ...
... suggest what many regard as the historical enterprise . On the problems of causal explanation in history , see White , Foundations , chapter 4. N.R. Hanson , Perception and Discovery ( San Francisco , 1969 ) , p . 280 , suggests that ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing