Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 182
... structure can be described thus : The tale begins with the inflicting of some sort of loss or harm ( abduction ... structure A , B , D , F ... and another A , C , D , F ... , but no tale will ever have the structure A , D , B , F. Propp ...
... structure can be described thus : The tale begins with the inflicting of some sort of loss or harm ( abduction ... structure A , B , D , F ... and another A , C , D , F ... , but no tale will ever have the structure A , D , B , F. Propp ...
Page 190
... structure and theme leads to Meletinsky's dis- tinctions between myth and tale . The myth differs from the tale significantly in its absence of hierarchic structure . The various mythical and narrative components in the search and ...
... structure and theme leads to Meletinsky's dis- tinctions between myth and tale . The myth differs from the tale significantly in its absence of hierarchic structure . The various mythical and narrative components in the search and ...
Page 233
... Structure , and more re- cently in The Secular Scripture . Rather than summarize or elabo- rate on it , I shall ... structure between a par- ticular literary work and a myth or myths or portions of myths , or among several works of ...
... Structure , and more re- cently in The Secular Scripture . Rather than summarize or elabo- rate on it , I shall ... structure between a par- ticular literary work and a myth or myths or portions of myths , or among several works of ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing