Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 137
... specific meaning from which the wolf has long been chased , and no one has the right to let him in again . Lussa is rabies and , as today , the rabid animal first and foremost in the eyes of the Greeks was the dog . In book 8 Agamemnon ...
... specific meaning from which the wolf has long been chased , and no one has the right to let him in again . Lussa is rabies and , as today , the rabid animal first and foremost in the eyes of the Greeks was the dog . In book 8 Agamemnon ...
Page 194
... specific versions in a series of increasing com- plexity would show the general direction that was taken by the motif of marriage in shaping fictional forms , or to restate it in the new terminology , we can construct a typology of the ...
... specific versions in a series of increasing com- plexity would show the general direction that was taken by the motif of marriage in shaping fictional forms , or to restate it in the new terminology , we can construct a typology of the ...
Page 253
... specific work of art as a historically rooted yet autonomous entity . It does not suffice simply to give evidence of the existence of an alchemistic imagery ; only its integration into the specific poetic functional frame will lead to ...
... specific work of art as a historically rooted yet autonomous entity . It does not suffice simply to give evidence of the existence of an alchemistic imagery ; only its integration into the specific poetic functional frame will lead to ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing