Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 116
... ritual . The principal one is the arrival of Dionysius - Bacchus , which culminated in a ritual in many places , including Athens . But the major portion by far of all myths had nothing to do with ritual . The current but frequently ...
... ritual . The principal one is the arrival of Dionysius - Bacchus , which culminated in a ritual in many places , including Athens . But the major portion by far of all myths had nothing to do with ritual . The current but frequently ...
Page 194
... ritual , his finding of a ritual structure in the fairy tale would have more plausibility . As it is , the foundations of his comparison are shaky , since he used a struc- ture of the ritual arrived at pragmatically by the combination ...
... ritual , his finding of a ritual structure in the fairy tale would have more plausibility . As it is , the foundations of his comparison are shaky , since he used a struc- ture of the ritual arrived at pragmatically by the combination ...
Page 231
... ritual , we transfer to the incident the words , and their connotations , which anthropolo- gists have employed to state the significance of the ritual.38 So far as it goes , this is instructive , but its limitations are ones that go to ...
... ritual , we transfer to the incident the words , and their connotations , which anthropolo- gists have employed to state the significance of the ritual.38 So far as it goes , this is instructive , but its limitations are ones that go to ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing