Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 61
... result from simi- lar thought processes that can be defined as mythical . Sewell's view of myth as an “ activity ... results in severe limitations in her interpretations of the actual functions of mythical narrative . Thus , while she ...
... result from simi- lar thought processes that can be defined as mythical . Sewell's view of myth as an “ activity ... results in severe limitations in her interpretations of the actual functions of mythical narrative . Thus , while she ...
Page 84
... result of " metempsychosis , " in the case of Ulysses ) ; analogies can quite often have the function of red herrings , and the final view of the novel may differ considerably from the tentative images and con- jectures entertained at ...
... result of " metempsychosis , " in the case of Ulysses ) ; analogies can quite often have the function of red herrings , and the final view of the novel may differ considerably from the tentative images and con- jectures entertained at ...
Page 214
... result of technological over- lap and multiplied communication resources , which seem to anni- hilate time by destroying space . And we may even grant , as I think we are in honesty bound to do , that Rahv is correct insofar as some ...
... result of technological over- lap and multiplied communication resources , which seem to anni- hilate time by destroying space . And we may even grant , as I think we are in honesty bound to do , that Rahv is correct insofar as some ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing