Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 121
... represent a basis common to all mankind . To document this , bold associations were often re- quired . Because the traced analogues seemed immediately reason- able , particularly striking or accessible coincidences were taken to have ...
... represent a basis common to all mankind . To document this , bold associations were often re- quired . Because the traced analogues seemed immediately reason- able , particularly striking or accessible coincidences were taken to have ...
Page 247
... represented — simi- lar to the earlier concepts of etiology and homogeneity - the sub- stratum of myth to which the ... represent levels of the fairy tale.10 The same criticism of a one - sided mythologizing of Germanic heroic poetry ...
... represented — simi- lar to the earlier concepts of etiology and homogeneity - the sub- stratum of myth to which the ... represent levels of the fairy tale.10 The same criticism of a one - sided mythologizing of Germanic heroic poetry ...
Page 264
... represents an amalgamation or cross- fertilization of mimetic and imitative lyric poetry , while the purely imitative lyric poetry or Erlebnislyrik tends to use mytho- logomena without representing a myth , because of the feigned ...
... represents an amalgamation or cross- fertilization of mimetic and imitative lyric poetry , while the purely imitative lyric poetry or Erlebnislyrik tends to use mytho- logomena without representing a myth , because of the feigned ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing