Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 30
... reality has become a totally different one . For such a reader reality is not much different from that which exists and is present around him . The past , which by defini- tion no longer exists and is neither there nor present , becomes ...
... reality has become a totally different one . For such a reader reality is not much different from that which exists and is present around him . The past , which by defini- tion no longer exists and is neither there nor present , becomes ...
Page 241
... reality factor in a polarity between logically veri- fiable actuality and man's cosmic context . The subsequent counter- movement has led to a reverse claim of totality for the reality factor itself and has again made obvious the ...
... reality factor in a polarity between logically veri- fiable actuality and man's cosmic context . The subsequent counter- movement has led to a reverse claim of totality for the reality factor itself and has again made obvious the ...
Page 263
... reality is necessarily reduced to a schematization and mech- anistic realization , instead of being enhanced by the symbol - like character of the mythic poetic attitude . Käte Hamburger and Rolf Tarot must be credited with having ...
... reality is necessarily reduced to a schematization and mech- anistic realization , instead of being enhanced by the symbol - like character of the mythic poetic attitude . Käte Hamburger and Rolf Tarot must be credited with having ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing