Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 76
... pre- figuration model is a way of relating the distinctive features of recent mythological fiction to the older tradition of typological exegesis : In the original religious context of prefiguration , the earlier event was subordinate ...
... pre- figuration model is a way of relating the distinctive features of recent mythological fiction to the older tradition of typological exegesis : In the original religious context of prefiguration , the earlier event was subordinate ...
Page 83
... prefigurations on the novel's style largely on the basis of a model borrowed from Gestalt psychology . Rather than seeing the technique of mythological prefiguration as either an archetypal scheme to which modern events were reduced or ...
... prefigurations on the novel's style largely on the basis of a model borrowed from Gestalt psychology . Rather than seeing the technique of mythological prefiguration as either an archetypal scheme to which modern events were reduced or ...
Page 88
... prefiguration in Passing Time soon becomes multilayered . Just as the most straightforward physical interpretation of it is beginning to emerge unambiguously as a mythological analogy , the narrative gives it a further and far more ...
... prefiguration in Passing Time soon becomes multilayered . Just as the most straightforward physical interpretation of it is beginning to emerge unambiguously as a mythological analogy , the narrative gives it a further and far more ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing