Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 8
... possible only through a collective transformation that will accomplish a rebirth of the German mythos . For Nietz- sche , no individual solution is possible in the face of the fragmen- tation and alienation of modern man . Nietzsche's ...
... possible only through a collective transformation that will accomplish a rebirth of the German mythos . For Nietz- sche , no individual solution is possible in the face of the fragmen- tation and alienation of modern man . Nietzsche's ...
Page 129
... possible , for a joke , to translate mythic themes into the trivial environment . Examples of this are frequently offered by the Old Com- edy in Syracuse and Athens and later the mockery of the Cynics , adopted more than once by Lucian ...
... possible , for a joke , to translate mythic themes into the trivial environment . Examples of this are frequently offered by the Old Com- edy in Syracuse and Athens and later the mockery of the Cynics , adopted more than once by Lucian ...
Page 217
... possible in the chosen kind of discourse , their utterances linguistically resemble a composite of several lan- guages , a kind of conceptual cross between pidgin English and the verbal resources of Finnegans Wake , a critical speaking ...
... possible in the chosen kind of discourse , their utterances linguistically resemble a composite of several lan- guages , a kind of conceptual cross between pidgin English and the verbal resources of Finnegans Wake , a critical speaking ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing