Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page xi
... positions of a general mythic tradition vis - à - vis a totally private and personal myth , both of them encompassed by almost nothing else but myth - making as an inherent human need . In a similar way , starting from seemingly limited ...
... positions of a general mythic tradition vis - à - vis a totally private and personal myth , both of them encompassed by almost nothing else but myth - making as an inherent human need . In a similar way , starting from seemingly limited ...
Page 277
... position : Professor of English and Comparative Litera- ture , Queens College and the Graduate School , City Univerity of New York . Books : Crowell's Handbook of Classical Literature ( 1964 ) ; Sermon or Satire : Pope's Definition of ...
... position : Professor of English and Comparative Litera- ture , Queens College and the Graduate School , City Univerity of New York . Books : Crowell's Handbook of Classical Literature ( 1964 ) ; Sermon or Satire : Pope's Definition of ...
Page 278
... position : Professor Emeritus of French , German and Com- parative Literature , University of Rochester ( New York ) . Books : Henri Heine , " romantique défroqué , " héraut du symbolisme français ( 1954 ) ; Kafkas Dichtungen : Die ...
... position : Professor Emeritus of French , German and Com- parative Literature , University of Rochester ( New York ) . Books : Henri Heine , " romantique défroqué , " héraut du symbolisme français ( 1954 ) ; Kafkas Dichtungen : Die ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing