Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 4
... poetry and myth and the imaginative power inherent in myth as a symbolic expression of primal experience.2 Herder's approach to mythology is primarily that of the student of early poetry and religion . While he recognized the poetic ...
... poetry and myth and the imaginative power inherent in myth as a symbolic expression of primal experience.2 Herder's approach to mythology is primarily that of the student of early poetry and religion . While he recognized the poetic ...
Page 61
... poetry itself , since these , I believe , provide a standard for evaluating any theory of the func- tion of myth in poetry . One critic , Elizabeth Sewell , illustrates her conviction that it is in poetry that the structure of myth is ...
... poetry itself , since these , I believe , provide a standard for evaluating any theory of the func- tion of myth in poetry . One critic , Elizabeth Sewell , illustrates her conviction that it is in poetry that the structure of myth is ...
Page 270
... poetry . This theory has been confirmed in Wolfgang Schadewaldt's lecture " Das Wort in der Dichtung . Mythos und Logos " ( The Word in Poetry : My- thos and Logos ) .72 The function that establishes the essence of poetry is based for ...
... poetry . This theory has been confirmed in Wolfgang Schadewaldt's lecture " Das Wort in der Dichtung . Mythos und Logos " ( The Word in Poetry : My- thos and Logos ) .72 The function that establishes the essence of poetry is based for ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing