Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
From inside the book
Results 1-3 of 37
Page 31
... pattern that is present everywhere and always . To be sure this pattern unfolds itself in time , but simultaneously it is abolished in it . From this one may derive two consequences . It is in the first place characteristic of Mann's ...
... pattern that is present everywhere and always . To be sure this pattern unfolds itself in time , but simultaneously it is abolished in it . From this one may derive two consequences . It is in the first place characteristic of Mann's ...
Page 86
... pattern had fallen into shape " ( p . 154 ) , for it is here that he thinks he can see these various parallels most clearly . Slightly later , taking a friend along to the local museum to see the Theseus tapestries that have be- come ...
... pattern had fallen into shape " ( p . 154 ) , for it is here that he thinks he can see these various parallels most clearly . Slightly later , taking a friend along to the local museum to see the Theseus tapestries that have be- come ...
Page 227
... pattern is external to literature , but then so is every other critical pattern employed . Though the use of such patterns , conceptual structures , or terminological constella- tions may be impositional in the negative sense and hence ...
... pattern is external to literature , but then so is every other critical pattern employed . Though the use of such patterns , conceptual structures , or terminological constella- tions may be impositional in the negative sense and hence ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing