Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 43
... original text , appears in the pastiche in extremely concentrated form . Through this mechanical concentration of effects ( that is why I used the word " sing - song " ) the pastiche becomes to some extent a ridiculing of the original ...
... original text , appears in the pastiche in extremely concentrated form . Through this mechanical concentration of effects ( that is why I used the word " sing - song " ) the pastiche becomes to some extent a ridiculing of the original ...
Page 45
... original . Such is the case in the fine arts , where the original work exists only once . In literature we find countless copies of a single poem , all of which are equally " original . " In that sense , therefore , copying has no ...
... original . Such is the case in the fine arts , where the original work exists only once . In literature we find countless copies of a single poem , all of which are equally " original . " In that sense , therefore , copying has no ...
Page 113
... original onset of human thinking and feeling , existing before any culture . This assumption , not justified by any evi- dence , attained quite uncontested domination . Instead of refining the tools used in the exploration of myth or of ...
... original onset of human thinking and feeling , existing before any culture . This assumption , not justified by any evi- dence , attained quite uncontested domination . Instead of refining the tools used in the exploration of myth or of ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing