Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
From inside the book
Results 1-3 of 25
Page 55
... object to such use of analogies in the effort to discover the origins and early nature of a structure so ancient and ... objects , " which are " cho- sen on the model ( imago ) of the infantile ones " ( 11 : 181 ) . Else- where ...
... object to such use of analogies in the effort to discover the origins and early nature of a structure so ancient and ... objects , " which are " cho- sen on the model ( imago ) of the infantile ones " ( 11 : 181 ) . Else- where ...
Page 182
... object or helper by whose aid the object of the quest will be found . In the further devel- opment of the story there occur a duel with the antagonist ( its most important form is a fight with a dragon ) , the hero's set- ting out to ...
... object or helper by whose aid the object of the quest will be found . In the further devel- opment of the story there occur a duel with the antagonist ( its most important form is a fight with a dragon ) , the hero's set- ting out to ...
Page 192
... object as a means of marrying the prin- cess . " 26 As Meletinsky writes , marriage " assumes a new meaning : it ... objects or the acquisition of the guardian - spirit.28 This might be especially true in certain novels ( Dostoevsky's ...
... object as a means of marrying the prin- cess . " 26 As Meletinsky writes , marriage " assumes a new meaning : it ... objects or the acquisition of the guardian - spirit.28 This might be especially true in certain novels ( Dostoevsky's ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing