Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 78
... novel , only someone approaching this chapter either with ex- traneous genetic information ( such as that supplied by the Gilbert , Gorman , or Linati plans21 ) or bringing to bear information avail- able only later in the chapter would ...
... novel , only someone approaching this chapter either with ex- traneous genetic information ( such as that supplied by the Gilbert , Gorman , or Linati plans21 ) or bringing to bear information avail- able only later in the chapter would ...
Page 83
... novel and prefiguration from the vantage point of hindsight . Clearly what is needed is some theoretical model within which such an exploration can be accommodated . However , little work has so far been carried out on the mythologi ...
... novel and prefiguration from the vantage point of hindsight . Clearly what is needed is some theoretical model within which such an exploration can be accommodated . However , little work has so far been carried out on the mythologi ...
Page 84
... novel lies less in its specific taxonomy of codes ( some of which have already been criticized as oversimplifications48 ) than in the way in which Barthes's study takes the reader sequentially through Sarrasine , weighing up the amount ...
... novel lies less in its specific taxonomy of codes ( some of which have already been criticized as oversimplifications48 ) than in the way in which Barthes's study takes the reader sequentially through Sarrasine , weighing up the amount ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing