Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 18
... method which others must pursue after him . " 80 Eliot's account of " the mythical method " is close to the older view of myth as a thematic repository , and the " continuous parallel " would seem nearer to allegory than to myth ...
... method which others must pursue after him . " 80 Eliot's account of " the mythical method " is close to the older view of myth as a thematic repository , and the " continuous parallel " would seem nearer to allegory than to myth ...
Page 215
... method were to be indicted and abandoned because some practitioners made statements that were historically inaccurate or impossible , then even those consciously espousing the historical method itself would be culpable and the method ...
... method were to be indicted and abandoned because some practitioners made statements that were historically inaccurate or impossible , then even those consciously espousing the historical method itself would be culpable and the method ...
Page 217
... method ( which is usually more of an inclination or a disposition than a rational choice ) rarely entails the actual use of a language wholly congruent with the method . Yet even if critics sought , in neopositivist fashion , to ...
... method ( which is usually more of an inclination or a disposition than a rational choice ) rarely entails the actual use of a language wholly congruent with the method . Yet even if critics sought , in neopositivist fashion , to ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing