Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 17
... imagination free to create as it chose and yet make all that it created , or could create , part of the one history , and that the soul's . " 73 While Yeats points to the Greeks , Dante , Swedenborg , and Blake for examples of similar ...
... imagination free to create as it chose and yet make all that it created , or could create , part of the one history , and that the soul's . " 73 While Yeats points to the Greeks , Dante , Swedenborg , and Blake for examples of similar ...
Page 57
... imagination includes " leaves no place for " the false conception of the imagination as some incalculable vates within us " ( pp . 60–61 ) , but it opens the way for an acceptance of the very muse he has ostensibly rejected . For if ...
... imagination includes " leaves no place for " the false conception of the imagination as some incalculable vates within us " ( pp . 60–61 ) , but it opens the way for an acceptance of the very muse he has ostensibly rejected . For if ...
Page 142
... imagination , speaking in terms of “ ani- mated substances , " most of which are fancied to be divine ( " un parlare fantastico per sostanze animate , la maggiore parte di- vine , " La Scienza nuova , 1 : 162 ) . In Jupiter , Cibele ...
... imagination , speaking in terms of “ ani- mated substances , " most of which are fancied to be divine ( " un parlare fantastico per sostanze animate , la maggiore parte di- vine , " La Scienza nuova , 1 : 162 ) . In Jupiter , Cibele ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing