Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 52
... human phylogenetic development in which they were created . That the drives and impulses of such stages persist , even as human beings have further developed individually and collectively in relation to environmental and social changes ...
... human phylogenetic development in which they were created . That the drives and impulses of such stages persist , even as human beings have further developed individually and collectively in relation to environmental and social changes ...
Page 59
... human civilization " ( 21 : 101 ) . Ananke in Owl's Clover is also a principle of reality ; his mythi- cized form as " the common god " or " the final god " only exposes the nature of godhood : He sees but not by sight . He does not ...
... human civilization " ( 21 : 101 ) . Ananke in Owl's Clover is also a principle of reality ; his mythi- cized form as " the common god " or " the final god " only exposes the nature of godhood : He sees but not by sight . He does not ...
Page 123
... humans - those of the myth and those of the present day - were subject to his rule . Thus , from Euripides to Ovid , mythology grew into an abundant collection of examples of " human nature . " But this human nature was not seen in the ...
... humans - those of the myth and those of the present day - were subject to his rule . Thus , from Euripides to Ovid , mythology grew into an abundant collection of examples of " human nature . " But this human nature was not seen in the ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing