Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 186
... historical context in which the genre has its being . Lévi - Strauss's comment that Propp wavers between the formalist vision and an obsession with historical explanations is thus a dis- tortion , implying as it does that the harnessing ...
... historical context in which the genre has its being . Lévi - Strauss's comment that Propp wavers between the formalist vision and an obsession with historical explanations is thus a dis- tortion , implying as it does that the harnessing ...
Page 215
... historical method itself would be culpable and the method jeopardized . The second question with a central bearing on the problem is the nature of the mythic method and its relation to historical per- spectives . Here we have to ...
... historical method itself would be culpable and the method jeopardized . The second question with a central bearing on the problem is the nature of the mythic method and its relation to historical per- spectives . Here we have to ...
Page 235
... Historical Inevitability ( London , 1954 ) ; Patrick Gardiner , The Nature of Historical Explanation ( Oxford , 1952 ) ; M. Mandle- baum , The Problem of Historical Knowledge ( New York , 1938 ) ; M.G. Mur- phey , Our Knowledge of the ...
... Historical Inevitability ( London , 1954 ) ; Patrick Gardiner , The Nature of Historical Explanation ( Oxford , 1952 ) ; M. Mandle- baum , The Problem of Historical Knowledge ( New York , 1938 ) ; M.G. Mur- phey , Our Knowledge of the ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing