Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 115
... gods will exact their punishment . It would be even more idle to refer to earlier versions of the legend , surviving only in fragments . None of them ever served as an example of the " Oedipus complex . " Rather they were illustra ...
... gods will exact their punishment . It would be even more idle to refer to earlier versions of the legend , surviving only in fragments . None of them ever served as an example of the " Oedipus complex . " Rather they were illustra ...
Page 119
... gods ; rather it flowed into long catalogues of those who had had relations with gods or goddesses and thus became progenitors of famous dynasties . Others also un- dertook to collect such genealogical material , for its part authenti ...
... gods ; rather it flowed into long catalogues of those who had had relations with gods or goddesses and thus became progenitors of famous dynasties . Others also un- dertook to collect such genealogical material , for its part authenti ...
Page 130
... gods by linguistic associations . Precisely in the case of a god , pure nature must be reflected in the name . This ... gods . 16. Here there is a close connection between tragedy , which presents the pas- sions , and the Stoic teaching ...
... gods by linguistic associations . Precisely in the case of a god , pure nature must be reflected in the name . This ... gods . 16. Here there is a close connection between tragedy , which presents the pas- sions , and the Stoic teaching ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing