Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 119
... elements . However , since later on everything was taken as authoritative if it was found in " Homer , " so the subsequent liter- ary usage of mythic elements was very strongly marked by what has just been described : the figure of ...
... elements . However , since later on everything was taken as authoritative if it was found in " Homer , " so the subsequent liter- ary usage of mythic elements was very strongly marked by what has just been described : the figure of ...
Page 165
... elements , that is , earth . It needs the con- currence of the other elements ( fire and air for the smelting pro- cess , water for cooling and hardening the melted gold ) . The act of purification transposes natural elements into the ...
... elements , that is , earth . It needs the con- currence of the other elements ( fire and air for the smelting pro- cess , water for cooling and hardening the melted gold ) . The act of purification transposes natural elements into the ...
Page 229
... elements or features in which the rela- tionships are as significant as the elements , whose structuring role may stimulate those examining fresh , different , or hitherto unexam- ined , that is , unanalyzed , entities , situations , or ...
... elements or features in which the rela- tionships are as significant as the elements , whose structuring role may stimulate those examining fresh , different , or hitherto unexam- ined , that is , unanalyzed , entities , situations , or ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing