Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 151
... Dreams ( Die Traumdeutung , 1900 ) , will call Traumarbeit ( dream work ) , the subconscious dis- placement ( Verschiebung ) and Verdichtung ( poorly translated as " condensation , " for it also means the myth - making activity of po ...
... Dreams ( Die Traumdeutung , 1900 ) , will call Traumarbeit ( dream work ) , the subconscious dis- placement ( Verschiebung ) and Verdichtung ( poorly translated as " condensation , " for it also means the myth - making activity of po ...
Page 158
... dream " ( maint rêve vespéral ) , cremated by the setting sun ( line 3 ) . With her lantern ( lampas ) of laminated horn ( see note 44 ) , where the evening's dreams were burned , Anguish / l'Angoisse / lampadophore stands here as a ...
... dream " ( maint rêve vespéral ) , cremated by the setting sun ( line 3 ) . With her lantern ( lampas ) of laminated horn ( see note 44 ) , where the evening's dreams were burned , Anguish / l'Angoisse / lampadophore stands here as a ...
Page 163
... dream personified . For though traditionally held by Thanatos / Death , the burned - out torch of Anguish / lampadophore , is here denied its complementary attri- bute , the evoked but absent funerary urn ( pas de cinéraire am- phore ) ...
... dream personified . For though traditionally held by Thanatos / Death , the burned - out torch of Anguish / lampadophore , is here denied its complementary attri- bute , the evoked but absent funerary urn ( pas de cinéraire am- phore ) ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing