Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page ix
... direction and yet , in contrast to " realism , " to " conven- tionalize content in an idealized direction " : The central principle of displacement is that what can be met- aphorically identified in a myth can only be linked in romance ...
... direction and yet , in contrast to " realism , " to " conven- tionalize content in an idealized direction " : The central principle of displacement is that what can be met- aphorically identified in a myth can only be linked in romance ...
Page 29
... direction : when they wish to know who they are they turn to the past or to the traces that the past appears to have engraved in the present . In the double meaning of the word they direct themselves to the past : they look in that ...
... direction : when they wish to know who they are they turn to the past or to the traces that the past appears to have engraved in the present . In the double meaning of the word they direct themselves to the past : they look in that ...
Page 194
... direction of time.32 What the typological classification yields on the historical level is not fact but plausibility . What is arrived at by whatever series of operations the investigator performs is a statement that is itself a product ...
... direction of time.32 What the typological classification yields on the historical level is not fact but plausibility . What is arrived at by whatever series of operations the investigator performs is a statement that is itself a product ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing