Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page viii
... concept with which many people agree or pre- tend to agree , although it does not hold true . It sometimes can be a sort of euphemism for a lie . Roger Bauer , for example , used it quite deliberately in this sense when he wrote about ...
... concept with which many people agree or pre- tend to agree , although it does not hold true . It sometimes can be a sort of euphemism for a lie . Roger Bauer , for example , used it quite deliberately in this sense when he wrote about ...
Page 239
... concept that would be binding for all . Some do not attempt to establish such a concept ; others subsume the essays under a questionable one.1 On the other hand , due to the lack of under- standing of mythopoesis , various ...
... concept that would be binding for all . Some do not attempt to establish such a concept ; others subsume the essays under a questionable one.1 On the other hand , due to the lack of under- standing of mythopoesis , various ...
Page 246
... concept of literary mythopoesis , one can say that the symbolic quality of the mythic forms of concret- ization was not directly derived from the literary function of myth but rather indirectly by way of the soteriological dimension of ...
... concept of literary mythopoesis , one can say that the symbolic quality of the mythic forms of concret- ization was not directly derived from the literary function of myth but rather indirectly by way of the soteriological dimension of ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing