Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 74
... claim for your book a depth of meaning it does not possess . " We have been told that , in the case of mythological novels , " not only does myth rep- resent a means of making sense of reality , it also points to the collective nature ...
... claim for your book a depth of meaning it does not possess . " We have been told that , in the case of mythological novels , " not only does myth rep- resent a means of making sense of reality , it also points to the collective nature ...
Page 240
... claim to universal validity through dimensions that exceed spatial and temporal lim- its ; this claim is confirmed and realized by deploying literary means . Such could have been the original relation between myth and poetry at a time ...
... claim to universal validity through dimensions that exceed spatial and temporal lim- its ; this claim is confirmed and realized by deploying literary means . Such could have been the original relation between myth and poetry at a time ...
Page 241
... claim of myth to totality on the functional level only by " sublimating " the reality factor in a polarity between logically veri- fiable actuality and man's cosmic context . The subsequent counter- movement has led to a reverse claim ...
... claim of myth to totality on the functional level only by " sublimating " the reality factor in a polarity between logically veri- fiable actuality and man's cosmic context . The subsequent counter- movement has led to a reverse claim ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing