Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 26
... becomes greater , and the precise use one can make of it becomes smaller . Eventually the elasticity of the term disap ... become so great that the word seems to imply a certain praise for works about literature that include the term ...
... becomes greater , and the precise use one can make of it becomes smaller . Eventually the elasticity of the term disap ... become so great that the word seems to imply a certain praise for works about literature that include the term ...
Page 30
... become a totally different one . For such a reader reality is not much different from that which exists and is present around him . The past , which by defini- tion no longer exists and is neither there nor present , becomes unreal ...
... become a totally different one . For such a reader reality is not much different from that which exists and is present around him . The past , which by defini- tion no longer exists and is neither there nor present , becomes unreal ...
Page 114
... become possible to work out a kind of primal history or prehistory of human experiences , or at least of their bases — an expectation that fascinated many researchers who were more critical in other areas . Unfortunately , perhaps out ...
... become possible to work out a kind of primal history or prehistory of human experiences , or at least of their bases — an expectation that fascinated many researchers who were more critical in other areas . Unfortunately , perhaps out ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing