Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
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Page 47
... aspect that can be characterized only as hypocritical ( " apparently holy " ) . The forgery may be called literary hypocrisy , in which the appearance of holiness presents itself as if it were its essence . In other words : the ...
... aspect that can be characterized only as hypocritical ( " apparently holy " ) . The forgery may be called literary hypocrisy , in which the appearance of holiness presents itself as if it were its essence . In other words : the ...
Page 54
... aspects of Frye's scheme are those that grow out of the familiar attributes of the gods and heroic figures and the ... aspect , " strikes us immediately as valid because it calls to mind functions of Aphrodite or Venus adapted from ...
... aspects of Frye's scheme are those that grow out of the familiar attributes of the gods and heroic figures and the ... aspect , " strikes us immediately as valid because it calls to mind functions of Aphrodite or Venus adapted from ...
Page 263
... aspect of the mythic attitude becomes apparent , that is , the anagogic aspect , which follows from the self - establishment of the " I " against all imperatives and rationalist codes that might limit the " I. ” A similar combination of ...
... aspect of the mythic attitude becomes apparent , that is , the anagogic aspect , which follows from the self - establishment of the " I " against all imperatives and rationalist codes that might limit the " I. ” A similar combination of ...
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus analysis ancient appears approach archetypal artist aspect basis become called century character claim classical collective completely concept concerned considered context create creation cultural death direction discussion dream elements essay example existence experience expression fact fairy tale fiction figures function German gods Greek hand hero historical human imagination important individual interpretation language later less literary literature logical Mallarmé Mann material meaning method mind myth criticism mythical mythology Mythos narrative nature Notes novel object original Paris pattern poem poet poetic poetry position possible prefiguration present problem Propp's question reader reading reality reason reference relation relationship remains represents result ritual seems sense serve significant specific story structure suggest symbolic takes theory tion tradition transformation Ulysses understanding universal writing