Yearbook of Comparative Criticism, Volume 9Joseph Strelka |
Contents
THE MYTH OF THE ARTIST | 3 |
MYTH POETRY AND CRITICAL THEORY | 51 |
MYTHOLOGICAL FICTION AND THE READING | 72 |
Copyright | |
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Aeschylus aesthetic analogy analysis ancient archetypal artist aspect become Blake Calypso century character classical concept of myth creation croisée cultural Dichtung dream elements epic essay Euripides example expression fact fairy tale fiction figures Freud Friedrich Schlegel Frye genre German gods Greek hero historical Homeric human Ibid imagination individual interpretation Karl Kerényi language literary criticism literary mythopoesis logical lussa Mallarmé Mann's meaning Meletinsky metaphor method Michel Butor modern Myth and Literature myth concept myth criticism myth scholarship myth-maker mythical mythology mythopoesis Mythos narrative nature Nelly Sachs Northrop Frye novel Odysseus original Orpheus Orphism Paris pastiche pattern personal myth poem poet poet's poetic poetry prefiguration present problem Propp's Proust question reader reality relation relationship Rilke Rilke's ritual Romantic sense significant sonnet structure symbolic tercets theory Theseus Thomas Mann tion tradition transformation typology Ulysses W.B. Yeats words writing Yeats