Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 66
... tion . It is rather a straightforward presentation of the state of Noth- ingness . ( In Chinese , be it remarked in passing , No , Nothing , and Nothingness are indicated by the same word , wu [ J. mu ] . ) The monk raised the question ...
... tion . It is rather a straightforward presentation of the state of Noth- ingness . ( In Chinese , be it remarked in passing , No , Nothing , and Nothingness are indicated by the same word , wu [ J. mu ] . ) The monk raised the question ...
Page 92
... tion ; it were as wise to cast a violet into a crucible that you might discover the formal principle of its colour and odour , as seek to transfuse from one language into another the creations of a poet . The plant must spring again ...
... tion ; it were as wise to cast a violet into a crucible that you might discover the formal principle of its colour and odour , as seek to transfuse from one language into another the creations of a poet . The plant must spring again ...
Page 159
Joseph Strelka. tion - had true feeling for the values of Islamic culture . The modern orientalist , carefully going through Hammer's free adaptations of Persian and Turkish poetry , is surprised to discover there a whole storehouse of ...
Joseph Strelka. tion - had true feeling for the values of Islamic culture . The modern orientalist , carefully going through Hammer's free adaptations of Persian and Turkish poetry , is surprised to discover there a whole storehouse of ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing