Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 15
... structural elements that constitute the skeleton of the artistic work or , as Ingarden states , " welche den Grund für die ... structure precludes the following issues : 1 ) the author and his biographical , psychological data and ex ...
... structural elements that constitute the skeleton of the artistic work or , as Ingarden states , " welche den Grund für die ... structure precludes the following issues : 1 ) the author and his biographical , psychological data and ex ...
Page 16
... structure as a whole . " Reading literature , ” Ingarden observes , " in its graphic form is con- nected with some changes in its general structure as well as in the character of the reader's perception . " Hence , " strictly speaking ...
... structure as a whole . " Reading literature , ” Ingarden observes , " in its graphic form is con- nected with some changes in its general structure as well as in the character of the reader's perception . " Hence , " strictly speaking ...
Page 53
... structure demands that a complete poem should be made of seventeen syllables arranged in three consecutive units of 5/7/5 syllables , is obviously the shortest of all forms of verbal art , and may therefore be said to have the most ...
... structure demands that a complete poem should be made of seventeen syllables arranged in three consecutive units of 5/7/5 syllables , is obviously the shortest of all forms of verbal art , and may therefore be said to have the most ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing