Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 24
... specific epistemological categories . In this case , ontic “ nothingness , ” in the same way as its positive counterpart , calls for specific modes of perception , validation , and evaluation which in turn greatly predi- cate the ...
... specific epistemological categories . In this case , ontic “ nothingness , ” in the same way as its positive counterpart , calls for specific modes of perception , validation , and evaluation which in turn greatly predi- cate the ...
Page 27
... specific methodological procedure does Ingarden propose for such a complex study of a literary work ? Basically , there are two distinct but mutually complementary procedures : the pre - aesthetic and the aesthetic . By the first ...
... specific methodological procedure does Ingarden propose for such a complex study of a literary work ? Basically , there are two distinct but mutually complementary procedures : the pre - aesthetic and the aesthetic . By the first ...
Page 37
... specific epistemological position . It becomes a neosolipsistic theory of knowledge . See Sarah N. Lawall , Critics of Consciousness : The Existential Structure of Literature ( Cambridge , 1968 ) . On the theory of subjectivity ...
... specific epistemological position . It becomes a neosolipsistic theory of knowledge . See Sarah N. Lawall , Critics of Consciousness : The Existential Structure of Literature ( Cambridge , 1968 ) . On the theory of subjectivity ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing