Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 4
... represented materials imitate the reality of " nature . " Many a novel in this century shows a marked disregard for what- ever appeal subject - matter itself may have for the reader . It seems as if some authors intend to foster the ...
... represented materials imitate the reality of " nature . " Many a novel in this century shows a marked disregard for what- ever appeal subject - matter itself may have for the reader . It seems as if some authors intend to foster the ...
Page 85
... represented by the persona as having been created to begin with as a rationalization of the person's existential needs . We can trace elements of both processes , both operations— systematic and antisystematic - of what I have been ...
... represented by the persona as having been created to begin with as a rationalization of the person's existential needs . We can trace elements of both processes , both operations— systematic and antisystematic - of what I have been ...
Page 142
... represents the pure and the formal condition for sensible perception and provides the purpose of the critic's judgment , because the schema itself is also the locus of the received form of perception . Every notion is consequently tied ...
... represents the pure and the formal condition for sensible perception and provides the purpose of the critic's judgment , because the schema itself is also the locus of the received form of perception . Every notion is consequently tied ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing