Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 142
... pure and the formal condition for sensible perception and provides the purpose of the critic's judgment , because the schema itself is also the locus of the received form of ... pure perception and the pure image , 142 HANS H. RUDNICK.
... pure and the formal condition for sensible perception and provides the purpose of the critic's judgment , because the schema itself is also the locus of the received form of ... pure perception and the pure image , 142 HANS H. RUDNICK.
Page 143
Joseph Strelka. both , the pure perception and the pure image , is found in the category of space and , in addition , particularly in the category of time . " The pure image of all dimensions rests in space , not in the perceiving senses ...
Joseph Strelka. both , the pure perception and the pure image , is found in the category of space and , in addition , particularly in the category of time . " The pure image of all dimensions rests in space , not in the perceiving senses ...
Page 151
... pure recognition of the self . The self , purely perceived , as a thing as such can not be recognized in Kant's system ; the observing critic can only function as a mediator within a preestablished set of conditions . It is said of the ...
... pure recognition of the self . The self , purely perceived , as a thing as such can not be recognized in Kant's system ; the observing critic can only function as a mediator within a preestablished set of conditions . It is said of the ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing