Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 90
... poetic context . His language must be one that preexisted this poem : it is necessarily generic inso- far as it is drawn from other experiences of other poems , while the language of this poem should be an original synthesis that ...
... poetic context . His language must be one that preexisted this poem : it is necessarily generic inso- far as it is drawn from other experiences of other poems , while the language of this poem should be an original synthesis that ...
Page 94
... poem of some poetic merit , then aesthetic absolutism is true ; but the Iliad is a poem of some poetic merit ; therefore aes- thetic absolutism is true . The premise is almost comically mild . Its mildness is its strength . For the ...
... poem of some poetic merit , then aesthetic absolutism is true ; but the Iliad is a poem of some poetic merit ; therefore aes- thetic absolutism is true . The premise is almost comically mild . Its mildness is its strength . For the ...
Page 98
... poem realizes , makes real , what existed as potentiality before . But if the poem is potentiality which is made real by human experiencing , then its reality is defective until it is performed , experienced , felt . At the same time ...
... poem realizes , makes real , what existed as potentiality before . But if the poem is potentiality which is made real by human experiencing , then its reality is defective until it is performed , experienced , felt . At the same time ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing