Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
From inside the book
Results 1-3 of 31
Page 142
... perception and understanding . The schema provides the notion which represents the pure and the formal condition for sensible perception and provides the purpose of the critic's judgment , because the schema itself is also the locus of ...
... perception and understanding . The schema provides the notion which represents the pure and the formal condition for sensible perception and provides the purpose of the critic's judgment , because the schema itself is also the locus of ...
Page 147
... perception . The schema proves itself as a unifying faculty between image and idea ; it permits judgment via equal treatment of concrete sense perception and of abstract categories of thought . The schema stands for the crystallizing ...
... perception . The schema proves itself as a unifying faculty between image and idea ; it permits judgment via equal treatment of concrete sense perception and of abstract categories of thought . The schema stands for the crystallizing ...
Page 150
... perception and understanding . The potentiality of a synthesis has to be recognized and the conditions for such a synthesis should be explored by the searching individual . In theory , the synthesis is supplied in Kant's system by the ...
... perception and understanding . The potentiality of a synthesis has to be recognized and the conditions for such a synthesis should be explored by the searching individual . In theory , the synthesis is supplied in Kant's system by the ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing