Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 37
... observer in contact with a given work of art . The greater the pleasure he obtains , the greater the value the observer attributes to the work of art . In truth , however , in this theory the work of art possesses no value . The ...
... observer in contact with a given work of art . The greater the pleasure he obtains , the greater the value the observer attributes to the work of art . In truth , however , in this theory the work of art possesses no value . The ...
Page 38
... observer or reader . 77. Vom Erkennen , p . 133 . 78. Ibid . , p . 425 . 79. Ibid . , p . 431 . 80. On this point Ingarden is very blunt and direct . “ Dies wird ja in jeder Wissenschaft gefordert und es ist nicht erlaubt ...
... observer or reader . 77. Vom Erkennen , p . 133 . 78. Ibid . , p . 425 . 79. Ibid . , p . 431 . 80. On this point Ingarden is very blunt and direct . “ Dies wird ja in jeder Wissenschaft gefordert und es ist nicht erlaubt ...
Page 136
... observer's cognitive faculties ( percep- tion and thinking ) in such a way that the observer's cognitive facul- ties have settled into a state of harmonious order . This state of har- monious order reflects the observer's individual ...
... observer's cognitive faculties ( percep- tion and thinking ) in such a way that the observer's cognitive facul- ties have settled into a state of harmonious order . This state of har- monious order reflects the observer's individual ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing