Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 20
... object in question is as if it were dressed in a given feature of that object which is being used indirectly for its definition . It is as if one object were making the other object translucent and thus acquired its most protruding ...
... object in question is as if it were dressed in a given feature of that object which is being used indirectly for its definition . It is as if one object were making the other object translucent and thus acquired its most protruding ...
Page 61
... object itself until its inscrutable essence is revealed to us . Then the poetic emotion thereby stimulated becomes crystallized into a verse . No matter how clearly we may depict an object in a verse , the object and our ego would ...
... object itself until its inscrutable essence is revealed to us . Then the poetic emotion thereby stimulated becomes crystallized into a verse . No matter how clearly we may depict an object in a verse , the object and our ego would ...
Page 72
... object , the same object that arises out of those varied experiences of them within which each of us is trapped . It will be quite a trick because it courts logical , indeed epistemological , inconsistency to try to save the object we ...
... object , the same object that arises out of those varied experiences of them within which each of us is trapped . It will be quite a trick because it courts logical , indeed epistemological , inconsistency to try to save the object we ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing