Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 4
... materials imitate the reality of " nature . " Many a novel in this century shows a marked disregard for what- ever ... materials and towards an appreciation of the manner in which composition itself contributes to meanings which the ...
... materials imitate the reality of " nature . " Many a novel in this century shows a marked disregard for what- ever ... materials and towards an appreciation of the manner in which composition itself contributes to meanings which the ...
Page 5
... materials themselves , but to the manner in which they are structured into the world of multiple interrelationships within ... material level is possible and where we are immediately forced into an apprehension of what is essential and ...
... materials themselves , but to the manner in which they are structured into the world of multiple interrelationships within ... material level is possible and where we are immediately forced into an apprehension of what is essential and ...
Page 8
... material exis- tential base of the text , instead of becoming involved in the materials themselves . This insight may then be also applied to works whose realism derives from verisimilitude . We can thus learn to bring into relief the ...
... material exis- tential base of the text , instead of becoming involved in the materials themselves . This insight may then be also applied to works whose realism derives from verisimilitude . We can thus learn to bring into relief the ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing