Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 151
... identity of the self as an object as such can never be achieved . The tragedy of the understanding which cannot recognize the objects as such is dramatized and exemplified in the fact that it cannot even recognize itself in the act of ...
... identity of the self as an object as such can never be achieved . The tragedy of the understanding which cannot recognize the objects as such is dramatized and exemplified in the fact that it cannot even recognize itself in the act of ...
Page 152
... identity and difference contains the possibility of synthetic judgments a priori , as well as the critical boundary of transcendental analysis and tran- scendental dialectics . The schematism is characterized by such a con- tradiction ...
... identity and difference contains the possibility of synthetic judgments a priori , as well as the critical boundary of transcendental analysis and tran- scendental dialectics . The schematism is characterized by such a con- tradiction ...
Page 153
... identity and difference . The ob- serving individual has to make his way between the Scylla and Cha- rybdis of identity and difference ; he must reach his own conclusions in full awareness of the danger of being crushed to death , and ...
... identity and difference . The ob- serving individual has to make his way between the Scylla and Cha- rybdis of identity and difference ; he must reach his own conclusions in full awareness of the danger of being crushed to death , and ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing