Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 56
... figures " in relief with a total elimination of the “ ground . ” Even negative concepts like impermanence and nothingness ac- quire a certain kind of positivity through linguistic articulation . And in the dimension of linguistic ...
... figures " in relief with a total elimination of the “ ground . ” Even negative concepts like impermanence and nothingness ac- quire a certain kind of positivity through linguistic articulation . And in the dimension of linguistic ...
Page 141
Joseph Strelka. Just as the meaning of a metaphor , and other figures of speech , lies between two extremes - the tenor and the vehicle , if we want to use I. A. Richards ' terms - so the meaning of the schema lies between perception ...
Joseph Strelka. Just as the meaning of a metaphor , and other figures of speech , lies between two extremes - the tenor and the vehicle , if we want to use I. A. Richards ' terms - so the meaning of the schema lies between perception ...
Page 144
... figures of speech . The synthetic function of the schema provides homogene- ity but does not dissolve the heterogeneous relationship that exists between the schema and the subject , and between the schema and the object . Indentity and ...
... figures of speech . The synthetic function of the schema provides homogene- ity but does not dissolve the heterogeneous relationship that exists between the schema and the subject , and between the schema and the object . Indentity and ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing