Yearbook of Comparative Criticism, Volume 6Joseph Strelka |
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Page 8
... emotions govern his apprehension were to encounter an object . In this case criticism is based on the emotional impact of the incidents or descriptions , and of the ideas and emotions expressed in the work . It is of course the ...
... emotions govern his apprehension were to encounter an object . In this case criticism is based on the emotional impact of the incidents or descriptions , and of the ideas and emotions expressed in the work . It is of course the ...
Page 28
... emotions which hinder it from functioning sine ira et studio . These emotions are hatred , anger , jealousy , desire , gratitude , and unrestricted attach- ment . In studying the work's structure one must “ sich abspielen , ” one must ...
... emotions which hinder it from functioning sine ira et studio . These emotions are hatred , anger , jealousy , desire , gratitude , and unrestricted attach- ment . In studying the work's structure one must “ sich abspielen , ” one must ...
Page 61
... emotion is not a spontaneous effusion out of the reality of that object . Such [ dis- crepancy between the emotion and reality ] is caused by the deliberate intention on the part of our ego . 47 In producing haiku there is a difference ...
... emotion is not a spontaneous effusion out of the reality of that object . Such [ dis- crepancy between the emotion and reality ] is caused by the deliberate intention on the part of our ego . 47 In producing haiku there is a difference ...
Contents
THE CONCEPT OF STRATA AND PHASES IN ROMAN | 10 |
HAIKU AND | 40 |
THE CRITIC AS PERSON AND PERSONA | 70 |
Copyright | |
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absolutism aesthetic concretions aesthetic value artistic aspects attitude Bashô beauty become Benjamin Chinese cognition conceived concept Confucian consciousness creative critic's personality emotions enlightenment Erkennen essay existence existential experience expression fact faculty feel function haiku haiku-poem Hammer's human Husserl Ibid ideas identity Iliad imagination individual interpretation Islamic judgment Kant literarische Kunstwerk literary art literary criticism literary cycle literary theory literature means ment metaphor metaphysical mind mode monk moral moral absolutism mystical nature negative Nothingness notion object observer particular perceived perception and understanding Persian literature Persian poetry phenomenal phenomenology philosophy poem poet position pre-aesthetic principles psychological pure qualities reader reality relation René Wellek Roman Ingarden schema scholar sense spiritual Ssu-k'ung statement stratum structure Sung dynasty synthesis synthetic Taoist taste theoretical theory things tion Tokyo tradition transcendental translation true tz'u University verse wabi Walter Benjamin words writing